Mmmmm….YLI #100 Silk Thread, the finest silk thread on the market. Have you used silk thread in your quilting or fabric art? It’s just incredible stuff, with an unsurpassed sheen all its own. I started using YLI silk thread years ago, at about the same time Diane Gaudynski and YLI teamed up to offer this gorgeous thread in larger put ups for machine quilting. It’s just fabulous for machine quilting since it’s perfect for intricate design motifs as well as tiny stipples or other background designs, adding texture and subtle color without making your quilt look “thready.” Read More
Are you planning to attend the AQS Quilt Expo in Des Moines, Iowa this year in October? I am, and I’ll be teaching my newest techniques and projects there October 28-31! Check out the workshop descriptions here on the Workshops page, and then head over to the AQS site to download the Registration Guide for the show.
On the workshop menu are Inchie projects and a lecture, as well as workshops on embellishments, machine appliqué and there’s even a class for bloggers and those that would like to start blogging online. Online registration for the Des Moines Quilt Expo is coming soon I’m told, but if you want first dibs on limited class space, you can fill out the form in the Registration Guide, and fax it in to AQS! See you there!
When you have an idea pop into your head, you can try it out immediately, and the result is even better than you’d hoped it would be.
Despite all the misery, this quilt does have it’s enjoyable moments, like this one which is definitely a Quilting WFF. This is what’s supposed to happen when you quilt:
This is one of the machine embroidered medallions in the outside border of The Misery Quilt. I’ve been a bit worried about these medallions since the beginning; the flower is really dense machine embroidery and the medallions are fused to the olive green background fabric and then the edges are sewn with a very small satin stitch in #100 silk thread, and when you put that many variables together, sometimes the finished product isn’t going to lay flat. I’ve been afraid all along that it might end up looking slightly bowl-like and ruffly around the edges in the end.
As an added bonus to the host of unknowns, I really hadn’t figured out how I was going to quilt the gold-ish background fabric behind the flowers either. All I could think of was echo quilting, which is very heavy, close together stitching, and not only might that heighten the chances for a bowl-like, bubbly outcome, echo quiting isn’t my strong point and there are lots of little squidgy points and dips around the edges of the flower, so I wasn’t sure echo quilting in that area was going to go well.
This morning I had an epiphany about the background quilting, and thought that these radial lines might be cool, since the area could probably use some straight quilting lines anyway. I took a wild “hey that looks about right” guess and figured that dividing up the outside edge of the oval into 3/8″ bits would look good, and it divided up evenly, believe it or not. It worked perfectly, from the marking to the last stitch, and it’s perfectly flat without a bubble or ruffle in sight. I couldn’t stop smiling while I was quilting it, because I could just tell it was going to look soooo cool!
*sigh* This is how quilting should be all the time…mmmmmm. Feeds the creative spirit, it does. 🙂